Current

Current work continues a pictorial language situated at the threshold between figuration and abstraction. Forms emerge and dissolve across stratified surfaces, where each layer of pigment operates simultaneously as a residue of the source and as a productive deviation. Painting becomes a space in which recognition is deferred and the image remains in a state of perceptual instability. The restrained palette, semi transparent veils, and displaced structures reinforce this condition, evoking the fragmentary, discontinuous, and often ambivalent nature of memory.